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Margaret Hannay

Posted By RSA, Friday, September 16, 2016

Dr. Margaret Hannay (1944–2016) was a professor of English at Siena College from 1980 to 2013, where she taught Elizabethan literature, Shakespeare, and the Great Books course for first-year students. She served as chair of the department and of the core curriculum committee. She published dozens of articles and seventeen books, including Mary Sidney, Lady Wroth, Philip’s Phoenix, and C. S. Lewis, as well as seven volumes of collected works and correspondence of the Sidney family (with Noel Kinnamon and Michael Brennan), and, most recently, The Ashgate Companion to the Sidneys 1500–1700 (2015, with Michael Brennan and Mary Ellen Lamb). Hannay received numerous awards for her scholarship, including the Raymond Kennedy Excellence in Scholarship Award from Siena College and lifetime achievement awards from the Society for the Study of Early Modern Women (a society that she founded and then served as president) and the International Sidney Society (where she also served as president).

Margaret was exemplary on personal as well as professional levels. She was so wise, and her wisdom was so much part of her character—thoughtful and reflective, able to see various perspectives at once, calm when those around her were anxious. One of several occasions when I was privileged to encounter her wisdom firsthand was when we were coediting the Ashgate Research Companion to the Sidneys with Michael Brennan. She was always able to see through the surface noise to the deeper issues. She was never overly concerned with the little glitches that always come up in a large editing project; she had faith that all would turn out right as of course it did. Whatever her health concerns, she set her worries aside to answer emails about what were sometimes trivial matters (whether to capitalize a lord’s title in this vs. that circumstance). She was always dependable and ever encouraging. I was privileged to encounter her wisdom on a personal level as well. Long ago, when I was considering marriage to my current husband, who is a mathematician, she asserted, “Well, mathematicians make excellent husbands, but you do have to dress them.” She was of course right. I miss her so much, and I am still trying to pretend that she is right there, on the other side of my email, ready to advise me on anything from husbands to capitalizations.

Mary Ellen Lamb
Southern Illinois University at Carbondale

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Germana Ernst

Posted By RSA, Friday, July 22, 2016

Germana Ernst, a foremost scholar on the Italian philosopher Tommaso Campanella, passed away on 17 July 2016 after a very short illness. Prior to her retirement less than three years ago, she held the Chair of the History of Renaissance Philosophy at the Università di Roma Tre.

Born in Bergamo on 22 February 1943, Germana often recalled with fond memories her first teaching assignment at a secondary school in the Alpine town of Bormio, while still a student at the Università Statale di Milano. After graduating with a thesis on Campanella’s Apologia pro Galileo, written under the supervision of her mentor Mario dal Pra, she dedicated most of her academic career to research on the philosopher’s life, texts, and thought. Her stated aim in the introduction to her edition of Campanella’s Lettere (2010), which takes its cue from a self-referential metaphor employed by the philosopher himself, may be extended to describe her lifelong scholarly activities: “to remove some of the layers of rust so as to allow the bell [‘campanella’] to regain its silvery sound.”

Through her many articles, books, and editions of primary texts, Germana Ernst made important and original contributions to all the main aspects of Campanella’s elaborate philosophical enterprise: natural philosophy, metaphysics, theology, natural magic, prophecy, astrology, ethics, and politics. She privileged the text as the basis for any meaningful interpretation, and insisted on the importance of reading each one of Campanella’s writings within the unitary context of his entire corpus. Her editions of Campanella’s published and unpublished works include Articuli prophetales (1977), Città del sole (1996), Monarchia di Spagna (1997), Opuscoli astrologici (2003), De libris propriis et de recta studendi syntagma (2007), Del senso delle cose e della magia (2007), Lettere (2010), Ethica; Quaestiones super ethicam (2012), Tre Questioni politiche contro Aristotele (2013), and Economica; Questioni economiche (2016). Her Tommaso Campanella: il libro e il corpo della natura (2002), the most comprehensive intellectual biography of the Calabrian philosopher, traces “the origins, development and persistence of some of the fundamental themes of his philosophy.” It has since been translated into French (2007) and English (2010).

One of “the greatest emotions of [her] life,” she wrote very recently, was her discovery of the autograph Italian manuscript of Ateismo trionfato, which appeared in 2004 as the inaugural text in an ongoing series of Campanella’s works published by the Scuola Normale Superiore di Pisa. The Ateismo, the work closest to Campanella’s heart, fascinated Germana on account of both the complexity of its contents and its tortuous history, which accompanied and mirrored the tragic life story of its author. When she got wind of preliminary plans to publish a Festschrift to mark her retirement, Germana actively dissuaded friends and colleagues from going to such lengths. This was typical of her genuine unpretentiousness as well as her endearing tenacity. As a compromise of sorts, she agreed to the publication of the anastatic reproduction of the 1631 Latin edition of Atheismus triumphatus (2013), which was dedicated to her and included a tabula gratulatoria featuring many friends and colleagues. This initiative had pleased her immensely.

Together with Eugenio Canone, in 1995 Germana Ernst founded Bruniana & Campanelliana, which has since established itself as a leading journal on Renaissance and early modern philosophy and history of ideas. Indefatigable as always, as its coeditor she was still soliciting submissions and reviewing articles until a few days before her untimely passing.

Besides her work on Campanella, Germana Ernst wrote about Bruno, Cardano, Della Porta, Galileo, and Vanini. She also dealt with various aspects of Renaissance thought and intellectual culture, particularly magic and astrology. She was appointed a corresponding member of the Académie Internationale des Sciences in 2006. The town of Stilo, Campanella’s birthplace, conferred her with honorary citizenship in 2007. She had been a member of the RSA for many years.

Germana was a brilliant scholar, a formidable teacher, a generous mentor, and a treasured friend to many. She will be remembered above all as a person of great wisdom and humanity, admirable simplicity, and contagious enthusiasm.

Jean-Paul De Lucca
University of Malta

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Daniel S. Russell

Posted By Tracy E. Robey, Wednesday, July 13, 2016
Updated: Wednesday, July 13, 2016

Professor Daniel S. Russell, University of Pittsburgh, died on 10 April 2016 in Pittsburgh. His contributions to Renaissance Studies focused on sixteenth-century French literature and emblematics. His publications often treated new approaches to emblem studies that assisted in bringing emblem studies to new audiences and opened up new paths for research, from his “Emblème et Mentalité Symbolique” (1990) to his “Nouvelles directions dans l’étude de l’emblème français” (2007).  He also investigated emblematic features of canonical authors and works, for example, in his “Du Bellay’s Emblematic Vision of Rome” (1972) and “Montaigne’s Emblems” (1984), thereby pioneering new directions in the discipline.  His seminal article “Alciati’s Emblems in France” appeared in Renaissance Quarterly in 1981, demonstrating innovative insights for the study of emblems in a pan-European context and establishing the early French emblematists as crucial to understanding the new genre that swept early modern Europe. His books have an equally broad scope and investigate emblems and devices as they relate to early modern culture as a whole: The Emblem and Device in France (1985) and Emblematic Structures in Renaissance French Culture (1995).  These key works went beyond national traditions and established key concepts in emblem studies, contributing to the discipline’s debates that continue today. Researchers whose work ranges far beyond French Renaissance literature cite his works as touchstones of scholarship. Owing to his international recognition, his colleagues gave him a Festschrift, An Interregnum of the Sign: The Emblematic Age in France. Essays in Honour of Daniel S. Russell, which appeared as a volume in the series Glasgow Emblem Studies in 2001. His scholarship was recognized with significant awards from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, and Fulbright.

Beyond his books and many articles, Dan’s research and scholarship helped to shape the entire discipline of emblem studies over the decades by establishing its key journal, hosting an international conference, organizing an exhibition, and teaching courses on emblems, among the many other, often invisible tasks that initiate new directions in research and support new fields of scholarly research. Dan’s efforts did much to elevate the status of emblem studies worldwide: he was co-founder of Emblematica: An Interdisciplinary Journal for Emblem Studies, which he co-edited for many years. A sign of his generosity to the field and to his students, he co-taught with me a semester-long consortium seminar on emblems at the Newberry Library, in 2005, for which he regularly commuted to Chicago. He was a noted and well-liked teacher and gave very generously of his time to younger scholars, read dissertations from around the world, advised and planned the discipline, and saw to good succession plans at various stages of the discipline’s growth, the early part of which he established and oversaw. He enjoyed introducing students to emblem studies, mentoring younger colleagues, and doing the work of the discipline. He often did the heavy lifting. While he was the leading emblem scholar in the US for a number of years, he was also widely respected internationally as indicated by his position as president of the international Society for Emblem Studies, an honorary title that colleagues bestow selectively and at infrequent intervals for contributions to all areas of emblem studies.

Dan was a good friend and mentor.  He helped put emblem studies on the radar for all Renaissance scholars.

 

Mara Renée Wade

University of Illinois at Urbana-Champaign

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Elizabeth Eisenstein (1923–2016)

Posted By Administration, Wednesday, May 18, 2016

Elizabeth Eisenstein (1923–2016) passed away on January 31, 2016, at the age of 92, after more than forty-five years of membership in this Society and a long and productive career as a historian of eighteenth-century France and of the impact of printing. Her best-known book, The Printing Press as an Agent of Change (1979) and its abridgment, The Printing Revolution in Early Modern Europe (1983, 2nd ed 2005) argued that historians had not paid enough attention to the way printing transformed major developments of the Renaissance, Reformation, and Scientific Revolution. Eisenstein favored the macro-scale grand narrative in which printing is viewed as a communications revolution that changed the impact and interaction of many other historical movements. She argued for the role of print in fostering fixity, standardization, and diffusion, but she was also attentive to the new social interactions that resulted, both locally in the printshop and across the great distances covered by the distribution of printed matter. Eisenstein joined Lynn White and Joseph Needham in emphasizing the role of technology in history; thanks to her work printing holds still today a prominent position in the now well-established field of the history of technology. Her strong claims proved more controversial among specialists and book historians, but motivated a great deal of productive discussion and study, among readers in English and the many languages into which her work was translated, and across a wide spectrum of academic disciplines from literature and history to technology studies and print culture studies, the term with which she self-identified most often.

Eisenstein earned her BA at Vassar College in 1944 and her PhD at Radcliffe College in 1953 with a dissertation entitled "The evolution of the Jacobin tradition in France, the survival and revival of the ethos of 1793 under the Bourbon and Orleanist regimes," supervised by Crane Brinton. She developed one of its chapters into her first book: The first professional revolutionist: Filippo Michele Buonarroti (1761–1837) (Harvard University Press, 1959) in which she traced the career of this Italian transplant to revolutionary Paris. She returned to the history of France after her books on printing, in her Lyell Lectures published in Grub Street Abroad. Aspects of the French Cosmopolitan Press from the Age of Louis XIV to the French Revolution (1992). Eisenstein excelled at close readings of the works of other scholars, engaging both with the evidence they provided and with their arguments. Her earliest article, published in The American Historical Review (1965), attacked Georges Lefebvre's Marxist interpretation of the source of French revolutionary initiative in 1789. Lefebvre had died some years before, but her article triggered rebuttals from two scholars to whom Eisenstein replied in turn, with sharp judgments. Similarly Eisenstein conceded nothing to her critics in the debates that accompanied the reception of her arguments about printing, notably in a forum of the American Historical Review in 2002.

Eisenstein's prophetic focus on printing, first visible in her articles in History and Theory (1966), the Journal of Modern History (1968) and Past and Present (1969), originated from a position of marginalization within the profession. She encountered a sexist job market in the 1950s when she sought employment alongside her physicist husband on a variety of campuses. When the family settled in Washington DC, she held a part-time lectureship at American University starting in 1959. In 1975 she was offered the University of Michigan's Alice Freeman Palmer Chair of History—appropriately named after a great champion of women’s higher learning—which she held until 1988. Throughout her fifty-seven years of residence in Washington, DC (including years of commuting to Michigan), Betty Eisenstein was an active participant in the activities of the Folger Library and the Library of Congress. In 1973 she directed one of the first semester-long seminars at the recently founded Folger Institute, entitled “Early Printers and Cultural Change (1470–1570)." In 1999 she directed a second such seminar on what became the topic of her last book, Divine Art, Infernal Machine. The Reception of Printing in the West from First Impressions to the Sense of an Ending (2011). Three participants in that Folger seminar, inspired by her work and mentorship, went on to coedit a volume of essays in her honor: Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein (University of Massachusetts Press in association with the Center for the Book, Library of Congress, 2007). That collection of twenty essays attests to the broad reach of Eisenstein's work across multiple disciplinary and geographical specialties and includes a full bibliography and detailed interview in which Eisenstein reflected on her remarkable career and the many strands of work in book history and print culture studies, which she did so much to inspire. Her energy was boundless, as is evident from her distinguished record in senior women's tennis and her infectious enthusiasm for learning new things and conversing with younger scholars at conferences. She received many honors and awards, including the American Historical Association Award for Scholarly Distinction (2002), an Honorary Doctorate of Humane Letters from the University of Michigan (2004), and the Gutenberg Award from the City of Mainz in 2012.

Julian Eisenstein, her husband of 68 years, followed her in death on April 27, 2016. They are survived by a son, Edward Eisenstein, and a daughter, Margaret Eisenstein DeLacy, and their families. A joint memorial service will be held at the Cosmos Club in Washington, DC, in late summer. 

Ann Blair

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Donald Weinstein, Historian of Civic Religion

Posted By Administration, Monday, December 21, 2015

Donald Weinstein, one of the pioneering postwar American historians who made the Italian Renaissance a premier area of study, died in Tucson, Arizona, on December 13 at age 89. At the time he wrote, historians generally viewed the fourteenth through the sixteenth centuries as the birth of modern Europe through the re-birth of secular thinking. Under the influence of Jacob Burckhardt, they saw—in the art of Botticelli, Leonardo and Michelangelo and in the writings of Machiavelli–a return of ancient cultural influences that were classical, humanistic, even pagan. In a groundbreaking 1970 study, Savonarola and Florence: Prophecy and Patriotism in the Renaissance, Weinstein showed how the Dominican friar recast the commanding, expansionist identity of Florence as the New Jerusalem and the place for the Second Coming of Christ. Weinstein saw that Florentine civic culture made things sacred—the city and the state—that had not been understood as having a religious dimension before. In 1994, The Renaissance Society of America devoted a session to civic religion in Weinstein’s honor.

His skill at interrelating the religious and the secular emerged again in a co-authored book with his former Rutgers colleague Rudolph Bell that used quantitative data to explore the social factors at work (class, gender, geography) in how the Catholic Church canonized its saints from 1000 to 1700. Their research revealed a surprising increase in the declaration of new saints, including many women, during this very same “secular” fifteenth century. Saints and Society moved the study of saints’ lives away from the exclusive terrain of hagiographers and devotees into the mainstream of historical inquiry. Returning to Savonarola almost 20 years after his retirement, Weinstein examined the evolution of the religious thinker become political leader in a 2011 biography Savonarola: The Rise and Fall of a Renaissance Prophet. Savonarola believed, Weinstein says, “he was leading Florence to the New Jerusalem, but he was also traveling a path of increasing fanaticism that could only take him to desperation, delusion, and disaster. Still, it is unhelpful to dismiss Savonarola as a fanatic or a charlatan; this obscures his noble vision and slights his strenuous efforts on behalf of social justice and political liberty.” Thus, Savonarola alienated patricians by introducing a popular government and sacrificing their treasures in a bonfire of “vanities.” In 1498, he was arrested, and under torture confessed to heresy, recanted, and then was hanged and burned. By examining Savonarola’s mysticism, Weinstein showed the increasingly political prophet being finally undone by politics and his own millenarian visions. “The challenge is to integrate—as he himself never ceased trying to do—the irascible puritan at war with his world, the charismatic preacher who, as Machiavelli would have it, adapted ‘his lies’ to the times, the ascetic contemplative enraptured by divine love, and the militant herald of a new age.”

Weinstein almost necessarily concerned himself with the impact of religious faith on political realities as his Orthodox Jewish father Harris (Avram Zvi), immigrated from a shtetl near Minsk to the United States to escape the Tsar’s armies. Weinstein himself, born and raised in Rochester, NY, joined the army to oppose Nazism. He was awarded the Bronze Star for his combat with the 4th Division in the invasion of Germany that followed the Battle of the Bulge. After the war the far-sighted G.I. bill allowed him to attend the University of Chicago, where he took the famous Core designed by Robert Maynard Hutchins—two circumstances whose importance he stressed throughout his life. He earned his B.A. and M.A. at Chicago and his doctorate at Iowa.

A Fulbright grant allowed his initial exposure to the immense manuscript riches of the National Library and Archives and to study at the University of Florence in 1953–55. It was there that he married his first wife, Anne Kingsley, the mother of his two children, Jonathan and Elizabeth. After receiving the Ph.D. in 1957, he was a Post-Doctoral Fellow at the Institute for Research in the Humanities at the University of Wisconsin in 1957–58, and was a lecturer in history at the University of Iowa in 1958–59. He taught for two years at Roosevelt University, in Chicago, an institution rooted in social justice principles, making that, he said later, some of his most important work as a teacher. He moved to Rutgers for the next eighteen years where he advanced from Assistant Professor to Distinguished Professor. In that period he earned fellowships at the Villa I Tatti in Florence (1962–63) and at the Institute for Advanced Study, Princeton, NJ (1964–65). At Rutgers, he met his wife, Beverly Parker. Thus began a partnership involving Weinstein’s writing and extensive political activism and community service. The couple moved to Tucson when Weinstein took on the headship of the History Department at the University of Arizona. He was Head from 1978–87 and retired in 1992.

As department Head, he brought Heiko A. Oberman, the prominent historian of the Protestant Reformation, to Tucson and thus helped form the Division for Late Medieval and Reformation Studies, which still functions in active cooperation with the Department of History. He taught night school classes at Fort Huachuca where he commuted an hour each way from Tucson twice a week even as he ran the department. In partnership with the Arizona Historical Society, he brought Tucson’s high schools into the national “History Day,” in which students competed by writing research papers on historical subjects. He devised an interdisciplinary outreach series of round tables and lectures to involve the community in university-level discussions of current issues.

After retiring, he continued to teach. He devised a new course on Italian Renaissance great books. He attended oral exams and served on dissertation committees. He continued to publish. Building on a dossier of depositions he found in the archives of Pisa, he wrote a micro-history, The Captain’s Concubine, about the trial growing out of a 1578 street brawl. He edited Heiko Oberman’s The Two Reformations when the author’s death prevented the conclusion of that work. He translated L’Assassino del Duca: Esilio e Morte di Lorenzo de’ Medici by Stefano Dall’Aglio. Beyond all this, he completed his own magisterial biography of Savonarola.

After moving with Beverly to Sonoita, Arizona, in 1996, he joined the Crossroads Community Forum and worked on a Master Plan for development. He volunteered as a dispatcher with the local fire department. He opposed creating an open pit mine in the beautiful Santa Rita Mountains. He defended Southern Arizona’s natural environment by opposing roads through canyons and new power lines.

From the battlefield to the library, from Florence to Arizona, from prophecy to politics, from leadership to service, Don Weinstein lived a full life. He combined academic achievement and civic commitment to a very high degree of excellence and effectiveness.

Edward Muir

 

New York Times obituary

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Lisa Jardine, April 12, 1944–October 25, 2015

Posted By RSA, Monday, November 02, 2015

Lisa Jardine’s last appearance at an RSA annual meeting was typical of her. On March 28, 2015, immediately after the end of the Business Meeting, she took the stage to read a statement by early career scholars. They objected to the fact that all the plenary speakers in Berlin were male. Lisa relayed their arguments to a large audience with eloquence, passion and humor. Like so many of her other performances, it was unforgettable.

One of the most original and influential Renaissance scholars of the last half-century, Lisa studied at Cambridge and Essex: first mathematics, then literature. As that start suggests, her work always crossed borders—something she was encouraged to do at the Warburg Institute, where she spent three years as a senior research fellow. Her first book, a revised version of her doctoral dissertation, dealt with Francis Bacon’s efforts to reform the arts of argument. It illuminated not only his writings, but also the teaching of dialectic in Cambridge—a subject that became one of her lasting interests.

Over the next forty years, Lisa published a massive series of books and articles, on subjects as varied as the history of education in the Renaissance and the future of progressive politics in the UK, Renaissance literature and the scientific pursuits of the Royal Society, the literary career of Erasmus and the lives and work of Francis Bacon, Robert Hooke and Christopher Wren. Everything she wrote came from new research, and every new book or article revealed new ways of imagining and understanding the past.

Lisa could transform materials that everyone else found dull and forbidding into richly human sources. Her studies of Gabriel Harvey’s marginalia opened up what is now a central field in Renaissance Studies, the history of reading. An expert user of libraries and archives, she created and directed the Centre for Editing Lives and Letters, which combines the traditional methods of philology and bibliography with cutting-edge information technology to build new kinds of archive and critical edition. But she was equally at home in very different realms. One of the most popular of her many writings for a large public eloquently evoked the power of wearing red.

With Worldly Goods Lisa made the material turn, well ahead of most other historians of the Renaissance. In her studies of Hooke, Wren and Constantijn Huyghens, one of the heroes of Going Dutch, she followed her protagonists out of the archive into gardens, churches and even up the Monument, which Hooke and Wren tried to use as a zenith observatory. These accomplishments brought her many honors: she was made a CBE, elected a Fellow of the Royal Society and awarded the Francis Bacon Prize by Caltech.

Honors mattered less to Lisa than what she called, echoing Erasmus, her familia: the group of younger scholars that always seemed to surround her. A dedicated mentor, she not only trained extraordinary students, but also often took them on as collaborators. Though her formal teaching career unrolled in the United Kingdom, at Cambridge, Queen Mary University of London, and University College London, she spent a number of happy periods teaching and doing research in the United States, at Cornell, Princeton, Johns Hopkins and Caltech. Both Americans who studied with her at Cambridge and London and those who met her during her American trips benefited immensely from her painstaking criticism of their work and her unstinting moral support. A number of them became her research and writing partners.

Lisa’s public engagements were as many—and as formidable—as her academic posts and honors. She broadcast as a writer and presenter for the BBC 4 program A Point of View, and often wrote for newspapers and for the BBC website. She acted as a judge for a number of literary prizes, including what was then the Booker Prize and the Whitbread Prize for fiction. With characteristic public spirit and generosity, she served for many years as a trustee of the Victoria and Albert Museum and as chair of the Human Fertilisation and Embryology Authority (HFEA).

It is a principle universally acknowledged that one looks in vain in university faculties for public spirit and civil courage. Lisa was a great exception to this melancholy rule. Always deeply engaged in teaching and scholarship, she somehow found time to serve her universities and a vast range of other institutions as well. Often the first woman to hold a particular position, give an endowed lecture or chair a distinguished group, she always did the job brilliantly and effectively—and always, as she did in Berlin, stood up for those without privileges and power.

Anthony Grafton

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Angela Caracciolo Aricò

Posted By Administration, Thursday, October 15, 2015

Professor Angela Caracciolo Aricò has died on March 11 2015 in Venice after a lengthy illness. Associate professor of Italian at the Università Ca’ Foscari and prolific scholar of Venetian and Aragonese Renaissance culture, until the very last day “la professoressa” – as her numerous pupils used to call her – continued working on her scholarly pursuits, which included the work of Jacopo Sannazaro, the relationship between Venetian literature and the visual arts and, most importantly, the life and work of Marin Sanudo the Younger.

“What you want to study, you first need to love it” – she once said to her colleague and friend Gian Carlo Alessio. Proofs of this love are – among other things – decades of painstaking research in the archives of Venice, the publication of four influential monographs and dozens of articles, the foundation of the internationally renowned Centro di Studi Medievali e Rinascimentali “Emmanuele Antonio Cicogna”, the organization of conferences in Italy and abroad, and the careful supervision of countless doctoral students.

The single-handed reappraisal of Marin Sanudo, however, is perhaps the finest product of Prof. Caracciolo’s passionate scholarship. By lovingly unearthing Sanudo’s habitation, library, circle of friends, artistic taste and unpublished works, she rediscovered a great man and intellectual, where historians had only seen a documentary source.

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Laurie Schneider Adams, 1941–2015

Posted By Administration, Thursday, October 01, 2015

Laurie Schneider Adams, a scholar in Italian Renaissance art and in the application of psychoanalytic theory to art history, died June 19 at the age of 73. Adams (PhD Columbia) joined the faculty of the newly-established John Jay College, City University of New York, in 1966 and taught there and at the CUNY Graduate Center until 2011. She was the author of many books, including A History of Western Art, Art Across Time, The Methodologies of Art, Art and Psychoanalysis, and Italian Renaissance Art. She was the editor-in-chief of the journal Source: Notes in the History of Art from 1984 until earlier this year.

The East Hampton Star published an obituary.

 

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Walter Liedtke d. 2015

Posted By Administration, Thursday, February 05, 2015

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David Rosand 1938–2014

Posted By Administration, Thursday, September 25, 2014
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